ruene Kakadu
Der
9. 3. e e e e
box 15/3
D W 1 n.
TerPr
MRs. TISkz- Heis
TAL CHinb, AnMEEn
Hauptmann’s Drcam Poem
Shows Some Effective Visions,
but Atfosphere Is Lacking.
GREEN COCKATOO’ FLEASES
Littie Satirical Play, of Time of Fall
of Bastille, Is Full of Interest,
and Capitally Played.
Lyceum Theatre—“ The Green Cockatoo.“ gro¬
tesque
in one act, by Arthur Schnitzler,
translated
Philin Littell and Ge
Hannele
Rublee, followed
poem, in two parts, by Gerhart Hauptmann,
translated by Mary J. Safford. Metrical p
sages by Percy MacKaye.
THE GREEN COCKAT0O.
Emile, Duc de Cadignan Edward Mackay!
Francols, Vicomte de Nogeant
erll Chadwick
Albin, Chevaller de la Tremouilie.
gory Kell¬
Marquis de Lansac Fulier
er
everine Merie
Rollin R
Prospere Henry
Henri Holbrock Blin
Gulllaume R. 0
Schevola Paul Scardo
Harold Matth
Michette Helena V
Flipote Veda Me
Leocadie Alc
Grasset.. Sheldon Low
Lebret hert
Grain Wilfred Buc
The Commissatre T. N. H
HANNELM.
mele
ttwald Holbroo
ter Martha A
Tulpe FlOr
Hedwig
Pleschke She
Hanke
Edwar
Pau
Bongase Ae eeeeeseerehersgr
Dr. Wachler Henry Ste
Fuller
Mattert
oman's Figure Virginia KI
The Village TallorR. Owen Meech
Mrs. Fiske seems to be practicing a
system of self-effacement, which has
hitherto not been tlie rule with American
stars, during her present engagement at
the Lyeeum Theatre. She began her sea¬
son two weeks ago with a performance of
The Pillars of Society,“ in which her
part is by no means the principal one.
and last night in the new double bill
which she presented she did not appear
at all in the first play.
This first play camie as an ägreeable
surprise to thosé in the audience who had
fancied that they were to see an ordi¬
nary curtain raiser. Schnitaler is a Vien¬
nese dramatist not unknown in New York,
however, and some of those present may
have seen this same play when it was
presented with the same author’s“ Lit¬
erature“ in a triple bill at the Irving
Place Theatre during the Conried régime
at that playhouse. Literature“ was
afterward played in English, as was
Schnitzler’s" The Reckoning.““ The
Green Cockatoo“ was probably given its
first performance in English here last
night.
The action of the play occurs in a Paris
cabaret during the night of the fall of
the Bastille, but much of the satire might
easily be applicable to the Paris of to¬
day, where just as many actors-find em¬
ployment in these dives, engaged to rep¬
resent murderers and cutthroats and to
Der
9. 3. e e e e
box 15/3
D W 1 n.
TerPr
MRs. TISkz- Heis
TAL CHinb, AnMEEn
Hauptmann’s Drcam Poem
Shows Some Effective Visions,
but Atfosphere Is Lacking.
GREEN COCKATOO’ FLEASES
Littie Satirical Play, of Time of Fall
of Bastille, Is Full of Interest,
and Capitally Played.
Lyceum Theatre—“ The Green Cockatoo.“ gro¬
tesque
in one act, by Arthur Schnitzler,
translated
Philin Littell and Ge
Hannele
Rublee, followed
poem, in two parts, by Gerhart Hauptmann,
translated by Mary J. Safford. Metrical p
sages by Percy MacKaye.
THE GREEN COCKAT0O.
Emile, Duc de Cadignan Edward Mackay!
Francols, Vicomte de Nogeant
erll Chadwick
Albin, Chevaller de la Tremouilie.
gory Kell¬
Marquis de Lansac Fulier
er
everine Merie
Rollin R
Prospere Henry
Henri Holbrock Blin
Gulllaume R. 0
Schevola Paul Scardo
Harold Matth
Michette Helena V
Flipote Veda Me
Leocadie Alc
Grasset.. Sheldon Low
Lebret hert
Grain Wilfred Buc
The Commissatre T. N. H
HANNELM.
mele
ttwald Holbroo
ter Martha A
Tulpe FlOr
Hedwig
Pleschke She
Hanke
Edwar
Pau
Bongase Ae eeeeeseerehersgr
Dr. Wachler Henry Ste
Fuller
Mattert
oman's Figure Virginia KI
The Village TallorR. Owen Meech
Mrs. Fiske seems to be practicing a
system of self-effacement, which has
hitherto not been tlie rule with American
stars, during her present engagement at
the Lyeeum Theatre. She began her sea¬
son two weeks ago with a performance of
The Pillars of Society,“ in which her
part is by no means the principal one.
and last night in the new double bill
which she presented she did not appear
at all in the first play.
This first play camie as an ägreeable
surprise to thosé in the audience who had
fancied that they were to see an ordi¬
nary curtain raiser. Schnitaler is a Vien¬
nese dramatist not unknown in New York,
however, and some of those present may
have seen this same play when it was
presented with the same author’s“ Lit¬
erature“ in a triple bill at the Irving
Place Theatre during the Conried régime
at that playhouse. Literature“ was
afterward played in English, as was
Schnitzler’s" The Reckoning.““ The
Green Cockatoo“ was probably given its
first performance in English here last
night.
The action of the play occurs in a Paris
cabaret during the night of the fall of
the Bastille, but much of the satire might
easily be applicable to the Paris of to¬
day, where just as many actors-find em¬
ployment in these dives, engaged to rep¬
resent murderers and cutthroats and to