Liebelei
5.— box 11//2
1a
may be rendered in English as
Love,“ is in itself a brief summary of ihe
storg. Fritz Sommers, who is already in¬
ning.“at
arried wor
ay—with
eWehring.
nowledge
ie in turn
nd unre¬
eother wo¬
all, and
mers takes
ibgt he
oritwo,
ious by
spends
nagon
reurns
bs
for-
nces of
was
ma
8
ged
just
for him¬
—

ng
rge
gave
rendering
comedy
d, but
nan, was
in the
ecial praise
9
uning. With
all, ably en¬

oniy ten
ood pantomime and facial ex¬
forced by
pression, he drew for one a distinct per¬
sonality, and warmlv deserved his special
round of applause. To Katherine Grey, as
heroine, fell most of the work. especially
in the last act. She was girlish, affee¬
tionate, and always spontancousig nat¬
ural in the earlier scenes; appealing, in¬
tense and tragic in the simple, direct way
that hurts in her final scene. Oue can
only repeat—the acting was practically
flawiess.
The enthusiasm of the andience was
that accorded to a first night that is des¬
tined to become a-successful run.
.
1