II, Theaterstücke 4, (Anatol, 8), Anatol, Seite 262

4.9. Anatol-
1

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ANTOIS AT THE PALACE.
For his last week at the Palace Theatro
Mr. Granville Barker
is presenting
Schnitzler’s Anatol as a bridegroom pre¬
Porro Nadling Nor¬
ing.
The character and moods of the handsome
light-love, lona, are admirably conveyed
by Mise Alice Crawford, and the cynically
philosophie Anatol and Max are as much as
ever themselves in the hands, as before, of
Mr. Granville Barker and Mr. Nige Play¬
fair.
Madame Louis Balthy, a discus¬
comique" well known to Parisiens, yester¬
day made a very successful first appar¬
ance in London a light and lively extra¬
vaganza, Just a Minute," by Mr. John N.
Raphael and the Palace Bioscope present
scenes from Sir Herbert Tres production of
Henry VIII.
box 8/7
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28
une has recently
to sociously by that composer.
PALACE THEATRE.
The appearance of Mme. Louis Balthy, or first
in England, adds a notable attraction to the pro¬
gramme. M. Balthy comes from the Théâtre des
Capucines, and is a comedian of originality able
to carry off her jest with the touch of the true
caricaturist. Whether she is displaying the harem
skirt, making faces like Réjane walking like Polaire,
or delivering in broken English passages from Hamlet
in a voice strangely like the divine Sarah," sho is
always immensely comio and surprising. Every
action she makes is characteristic of herself; and,
although there is no trace of vul¬
in what she
does on says, the breath of her hu¬
is refreshing.
Mme. Balthy in great fun, and is well existed by
M. Henri Léoni with a nice voice. Their item,
Just a Minute, dodge about between English
and French, the French better than the English.
Some delicious dancing by Miss Maud Allar was
followed by The wedding Morning, the seventh of
the series of dialogues entled "Anatol, adapted by
Mr. Granville Barker from Schnitzler. Anatol is a
young spark of Vienne
marriage on the morrow. He dances all night at a
fancy dress ball with an old flame, to whom he dares
not break the fact that he is to be man and who tells
him she will never let him give her the slip again.
The brides bouquet arrives, and has to be smuggled
away, the friend arrives to hurry up the bridegroom,
and when he hears the lady is in the next rom thinks
it pasta joko he makes them both it down to
breakfast, and they toll her they are only assisting the
bridesmaids at a friends wedding. She doesn't
believe and pulls them both by the ears. The friend
retreats, and Anatol goes into the next room to
dress for his wedding. Some pointed dialogue
between the lady and Anato takes place through
he door. No, he will never let him slip. Haha!
no replies, and appears dressed for the wedding with
he brides bouquet. This is too much he
lashes for the bouquet and Anatol jumps on a
hair, and shout for his friend, who comes in and
sets in the way. She creams and she stamps til
Anatol goes, when she consoles herself with the
hought that a woman's scorn is stronger than hell
the dialogue does not seem to lose its points in the
ranslation, and the acting was a good as it could
be. Mr. Barke's nervous, tentative manner con-
rasted perfectly with the stolid good humour of
Mr. Niger Playfair ; and Miss Alice Crawford, in the
test of costumes, was delightfully gay and
heartless and serpent-tongued as the lady.
Scenes from King Henry VIII. can now be seen
every evening on the bioscope.
SUFFRAGISTS AND THE CENSIS.