II, Theaterstücke 11, (Reigen, 0), Reigen. Zehn Dialoge, Seite 1067

11
igen
box 18/3
NEW TORK TRIBUNE,
Kahn, Heeding
inders
Protest, Won't
Attend -Reigen
ly before our eyes,
Der of the most in
vith all their real
in these dialogue
Doubts if Green Room Club
the susceptibilities
Would Stage an Improper
lover of humankty
are uncovered, not
Play, but Will Vield to¬
observations of a
the Objections of Sumner
hthe finer eyes of
tuman. The Puri
Vice Chief Sued for Libel
with his heart of
v aside, resentful
truth. The phil¬
Actors Also Demand Cour
ama, will close it
Order Barring Boland and
understanding.
Police From Performance
erious American
Otto Kahn will not attend the per
g lessons in act¬
formance of“ Reigen'’ arranged for his
the Moscow Art
entertainment by the Green Room Club.
ng an Englis
He will, however, lend his support to
in the Russian
he Green Room Club to the extent of
ky, having been
accepting the invitation to be present
edy wherein hit
at the dinner in his honor, which is
might display
be held at the clun on Sunday night.
nas, prescribed
This is the interpretation which
arth“ as a the
Broadway set last night upon the letter
characters of
vritten by Mr. Kahn to John S. Sum¬
ie, preffered ad
ner, superintendent of the Society for
ian acting, and
the Suppression of Vice. In the con
the play, is the
luding paragraph of this letter, which
UThe
Theater.
is a reply to a letter protesting against
5.“ being an item
theReigen' performance, addressed
to Mr. Kahn by Mr. Sumner, Mr. Kahr
writes:
in Russia than it
I do not desire to participate in any
ncient playgoer
function which runs counter to the
hat once upon :
susceptibilities and the moral senti
ments of any substantial body in the
che Hearth' was
community, whose motives are entitlec
bouts as Abie'
orespect, and, without wishing to be
understood as passing upon the merits
of the case, I purpose to act accord¬
ngly in the present instance.
practicing“The
Expected to Compromise
under the baton
This outline of Mr. Kahn’s position in
he“ Reigen“ controversy was accepted
ss Kathlene Mc
ast night by those nearest to the
R.*), Whitford
situation as indicating that Mr. Kahr
mmett and Gil¬
would attend the dinner, the invitatior
of The Hero
owhich he already has accepted, but
would exercise his individual privilege
Tazimova in the
of declining to be present at the per¬
eypropose tc
formance which has been so harshlz
Cricket on the
riticized. Mr. Kahn declined to ex¬
oress his intentions for publication
A further development in the situa¬
e modest, won
tion yesterday was the announcement
band of intelli¬
that officials of the Green Room Clul
ne of our more
had bégun an action for erlminal libe
against Mr. Sumner.
s, such as Miss
The compiete text of Mr. Kahn's let¬
ter to Mr. Sumner is as follows:
tient with thesc
I
beg to acknowledge receipt o
rth“ plans and
your letter of the 7th instant.
I have not read the play to which
1. Still, we re
ou refer, and it was ouly a couple of
that any Ameri¬
days ago, upon my return from Flor¬
y contact with
da, that I was informed that the din¬
ns. Among the
ner to whichethe Green Room Clul
some weeks ago did me the honor of
the Russians
inviting me, wasrto be followed by a
nat good actors
performance at the Belasco Theater
no doubt, for
Vou will doubtless agree with me
play in.
that well intentioned persons may dif¬
fer as to the fitness of a play for pro¬
duction (especially when the occasion
Quits Mate
is not a public one), the true test
being not so much the subject of the
March 8.—Anita
lay, as its spirit, tendency, dialogue
ure actress, and
and treatment of situations.
hCameron, di
Douhts It Could Be Offensive
o disagree for:
The Green Room Club, as I under
art,“ Miss Stew¬
stand, is an erganization composed of
a storyThe
eading actors, playwrights and pub
ublished to-day
licists connected with the stage. It
ting a divorce
S
MARCH 9,
FRIDAT,
ler at the clubhouse are being com¬
pleted. Testerday Inspector Bolan,t#
whom Mr. Sumner’s letter of complaint
was addressed, visited the clinb and
aid that he would be present at the
Belasco Theater on Sunday night with¬
a police detail.
r. Heckheimer said he would make
application, in behalf of the club for
an injunction restraining the police
rom interfering with the scheduled
performance. He said he would seek
the decree in Justice Bizur's part of
he Supreme Court to-day.
Club Rules Bar Women Guests
In answer to statements that womer
vould appear in the cast of“ Reigen,
but that no women would be in the
audience, Mr. Reichenbach said
The by-laws of the Green Room
Club prohibit the presence of women at
he club’s entertainments. Some of the
members sought to have the rules set
aside for the night, but the motion was
The club would nevei
voted down.
vermit women to act in a play, such as
Mr. Summer describes Reigen' to be
in his letter to Inspector Bolan.
Mr. Reichenbach saw“ Reigen'’ when
it was presented in Berlin in May of
last year. He admitted that there
wver: riots, but he said that the riots
were started by students who could not
gain admittance because of the limited
capacity of the theater and not because
of any objections of the play.
N. V. Symphony Forsakes
Futurists for Classics
Program at Carnegie Hall Is
Featured hy Mme. Sigrid
Onegin as Soloist
No hait was offered to novelty seek
ers at yesterday afternoon’s concert of
the New Vork Symphony at Carnegie
Hall. Turning his back for tlie nonce
upon the futurists, Mr. Damrosch pre¬
sented no more revolutionary name
than Debussy on his list, and he is
rapidly becoming a classic. Mozart,
Schubert, Beethoven and Liszt were
the others
The soloist was Mme. Sigrid Onegin,
whose radiant personallty und glorious
voice were, as always, a delight. An
air from Mozart’s“Titus' and three
Beethoven songs were her numbers, in
all of which she sang with beautiful
tone and expressiveness and won warm
applause.
The principal orchestral number was
Schubert’s Symphony No. 9 in C, re¬
nowned for its “heavenly length.“ Its
suave beauty is undeniable and was
not obscured yesterday, but it was not
iven with the pulsing rhythm and ac
cent that are needed to make its length
scem entirely “heavenly.? There were
times wiien tlie casy grage ###t# flo#
The second möve¬
became cloying.
ment was, however, delightfully done
and the whole met with a warm re¬
sponse.
The other orchestral numbers were
heAfternoon of a Faun' and Hun¬
garian Rhapsody No. 1.
Chaplin’s First Sketch Quits
After 20 Tears on Boards
From The Tribune’s European Bureau
opyright, 1923, New York Tribune Inc.
LONDON, March 8.—After having
layed at the music halls throughout
Britain continuously, except for a few
short intervals, for the last twenty
years,“ Humming Birds,' the sketch
which afforded Charlie Chaplin his first
stage part, has flnally been withdrawn.
The sketch portrayed a scene in an
old-time music hall. Charlie took the
#


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