Neg ins Freie
23. Der
—
TIME
hicago
Good Books
tion, Chicago
The following estimates of books
most in the public eye were made
#iea
after careful consideration of the
focal point of
trend of critical opinion:
O, that literary
vest, some say,
TnE CAPTAIN’s DOLL—D. H. Law¬
is a difficult
rence—Seltzer (82.00). This volume
at the White
contains three long stories, each a
e finds genial
vivid symbolic study of a character
ctive,
white¬
caught in the spiritual unrest fol¬
g rather than
lowing the war. In The Captain's
planning a
Dolt an Austrian countess is forced
usiasm! There
to earn her living by making doll¬
½, where sits
figures, one of a Scotch captain
iny renowned
whom she marries after the death
rriet Munroe,
of his wife. The doll symbolizes the
casionally en¬
fact that even an adoring wife tries
er, one of the
to“ make a doll of her husband.'
ificant figures
In The For a young returned soldier
erican letters.
woos and wins an older woman, who
y of Chicago,
tries to run a farm. In Ludybird
rrick, whose
an English countess is fascinated by
m back to fie¬
the strange philosophv of a wounded
rs of silence.
Hungarian count. These tales are
h Keith Pres¬
free of the tiresome sex discussions
tand gayer
which marred Lawrence’s last two
vith
Henry
novels. Their intense mysticism
and
Edwin
shows his work at its best, though
novelists.
it may puzzle readers accustomedsto
chiefly pie¬
straight stories.
ason of pre¬
vhere gather
Tnn Roan vo rur Orty—Arthur
licago Daily
Schnitzser—Knopf (4250). Schnitz¬
find Harry
roun of Chi¬
ler is better knomm as a dramatist
ns to shock;
than g noveliste The present novel
east, Carl
is a franslatjeff of his longest and
best fiction With his accustomed
urg is the
subtleteänd melancholy it pictures
iterary life.
the life of a young man in Vienna
He is Chi¬
who lives for pleasure only, his vari¬
erstand that
with its
ous entanglements, his interest in and
ining lake¬
creation of musie, his friends both in
Citz.
No
the gay upper society and the hum¬
itomized a
bler middle class. Schnitzler here, as
andburg is
always, regards life as a poetic
voice, hesi¬
dream. The meaning and moral of
%
explore
his novel are woven skillfully into the
dburg on a
he spirit of
substance, and the characters are
always real people caught into the
re Swedish,
mystery of life. Schnitzler writes
warmth of
always with the utmost distinction;
n, too. He
but the range of his work varies little
He was
from certain artistic and social cireles
I-American
in Vienna,
railroads.
He has
and soap¬
Tux Housr or rur SECREr-
Lombard
Claude
Ferrere—Dutton (83.50).
editor-in¬
Three infamous old men live like
ate paper.
icts of life
cruel spiders in a dark house in a
people in
rocky ravine. They are the pos¬
gliness, of
sessors of an appalling secret.
A
ny other
French captain penetrates to their
s curious
retreat. They demonstrate to him an
ro and In¬
experiment in the latest methods of
gand his
magnetism and hypnotism. Through
bezieve,
American
the course of the action horror creeps
nearer and nearer. Spirits summon
Sandburg
a man bound in a trance. The whole
1, bending
interest of this shuddery tale lies in
cks down
the culminating horror. It does not
ng of ho¬
take rank with the best work of
lbandoned
Algernon Blackwood. But it has all
ed an ex¬
the necessary substance of a very ex¬
e to none
J. F.
eiting horror story.
box 3/5
War
Eng
a gre:
Charil
monul
placed
ble
M
will
hug
the
mee
chel
Bla
rusl
of de
Pas
777
lic li
COrré
nard
of a
draul
stude
the g
the
per.
either
had
genui
scien!
he die
tive
of m.
No
The
let at
“lived
nut fo
Barbiz
Diaz,
been
at thei
opened
The sir
for the
his wif
little ko
dren.
could
royaltic
Angelu
Mens
A fe
tion, t
sudden
ast ex
obtrus
the co
were h
secedec
Paintel
under
Taft.
is mens
0, Cleveland, Christig
## Madrid, Mailand, Minnea¬
n, San Francisco, Stockholm, St. Pe
burg, Toronto.
(Quellenangabe ohne Gewähr).
Ausscknitt aus:
K R2 CCARESDNER ANZE
vom:
Neuere österreichische Prosadichtungen“
Seit sich im Schaffen Ferdingnd v. Saars, Marie von
Ebner=Eschenvachs und durchsdie robuste Eigenkraft Anzen¬
grubers und die zielbewüßtere (J. J.Davids allmählich
eine eigenärtige von aller anderen deutschen deutlich unter¬
scheidbare „österreichische Literatur“ herausgebildet hat, hat
*)
Die hier besprochenen Bücher sind folgendermaßen betitelt:
K. Bienenstei n, Der Einzige auf der weiten Welt (Brlg.
Benz, Stuttgart, geb. 2 X 50 3), Müller=Gutenbrunn,
Arme
Komödianten (Vrlg. Staackmann, Leipzig,
4):
G. Leutelt, Das zweite Gesicht (Brlg. S. Fischer, Berlin,
3 M 50 J.); Alb. v. Trentini Lobesamgasse 13 (4 +); Komtesse
Tralala
Wuter v. Molo, Der gezähmte Eros (4 K);
Wir Weibgesellen (4 ;X), diese vier bei Schuster & Löffler in Berlin;
P. Rosegger Die beiden Hänse (Vrlg. Staackmann, Leipzig,
.4); G. Biberich, Auf der Spirale (Brlg. S. Fischer, Berlin,
3 4 50 Z).
2
23. Der
—
TIME
hicago
Good Books
tion, Chicago
The following estimates of books
most in the public eye were made
#iea
after careful consideration of the
focal point of
trend of critical opinion:
O, that literary
vest, some say,
TnE CAPTAIN’s DOLL—D. H. Law¬
is a difficult
rence—Seltzer (82.00). This volume
at the White
contains three long stories, each a
e finds genial
vivid symbolic study of a character
ctive,
white¬
caught in the spiritual unrest fol¬
g rather than
lowing the war. In The Captain's
planning a
Dolt an Austrian countess is forced
usiasm! There
to earn her living by making doll¬
½, where sits
figures, one of a Scotch captain
iny renowned
whom she marries after the death
rriet Munroe,
of his wife. The doll symbolizes the
casionally en¬
fact that even an adoring wife tries
er, one of the
to“ make a doll of her husband.'
ificant figures
In The For a young returned soldier
erican letters.
woos and wins an older woman, who
y of Chicago,
tries to run a farm. In Ludybird
rrick, whose
an English countess is fascinated by
m back to fie¬
the strange philosophv of a wounded
rs of silence.
Hungarian count. These tales are
h Keith Pres¬
free of the tiresome sex discussions
tand gayer
which marred Lawrence’s last two
vith
Henry
novels. Their intense mysticism
and
Edwin
shows his work at its best, though
novelists.
it may puzzle readers accustomedsto
chiefly pie¬
straight stories.
ason of pre¬
vhere gather
Tnn Roan vo rur Orty—Arthur
licago Daily
Schnitzser—Knopf (4250). Schnitz¬
find Harry
roun of Chi¬
ler is better knomm as a dramatist
ns to shock;
than g noveliste The present novel
east, Carl
is a franslatjeff of his longest and
best fiction With his accustomed
urg is the
subtleteänd melancholy it pictures
iterary life.
the life of a young man in Vienna
He is Chi¬
who lives for pleasure only, his vari¬
erstand that
with its
ous entanglements, his interest in and
ining lake¬
creation of musie, his friends both in
Citz.
No
the gay upper society and the hum¬
itomized a
bler middle class. Schnitzler here, as
andburg is
always, regards life as a poetic
voice, hesi¬
dream. The meaning and moral of
%
explore
his novel are woven skillfully into the
dburg on a
he spirit of
substance, and the characters are
always real people caught into the
re Swedish,
mystery of life. Schnitzler writes
warmth of
always with the utmost distinction;
n, too. He
but the range of his work varies little
He was
from certain artistic and social cireles
I-American
in Vienna,
railroads.
He has
and soap¬
Tux Housr or rur SECREr-
Lombard
Claude
Ferrere—Dutton (83.50).
editor-in¬
Three infamous old men live like
ate paper.
icts of life
cruel spiders in a dark house in a
people in
rocky ravine. They are the pos¬
gliness, of
sessors of an appalling secret.
A
ny other
French captain penetrates to their
s curious
retreat. They demonstrate to him an
ro and In¬
experiment in the latest methods of
gand his
magnetism and hypnotism. Through
bezieve,
American
the course of the action horror creeps
nearer and nearer. Spirits summon
Sandburg
a man bound in a trance. The whole
1, bending
interest of this shuddery tale lies in
cks down
the culminating horror. It does not
ng of ho¬
take rank with the best work of
lbandoned
Algernon Blackwood. But it has all
ed an ex¬
the necessary substance of a very ex¬
e to none
J. F.
eiting horror story.
box 3/5
War
Eng
a gre:
Charil
monul
placed
ble
M
will
hug
the
mee
chel
Bla
rusl
of de
Pas
777
lic li
COrré
nard
of a
draul
stude
the g
the
per.
either
had
genui
scien!
he die
tive
of m.
No
The
let at
“lived
nut fo
Barbiz
Diaz,
been
at thei
opened
The sir
for the
his wif
little ko
dren.
could
royaltic
Angelu
Mens
A fe
tion, t
sudden
ast ex
obtrus
the co
were h
secedec
Paintel
under
Taft.
is mens
0, Cleveland, Christig
## Madrid, Mailand, Minnea¬
n, San Francisco, Stockholm, St. Pe
burg, Toronto.
(Quellenangabe ohne Gewähr).
Ausscknitt aus:
K R2 CCARESDNER ANZE
vom:
Neuere österreichische Prosadichtungen“
Seit sich im Schaffen Ferdingnd v. Saars, Marie von
Ebner=Eschenvachs und durchsdie robuste Eigenkraft Anzen¬
grubers und die zielbewüßtere (J. J.Davids allmählich
eine eigenärtige von aller anderen deutschen deutlich unter¬
scheidbare „österreichische Literatur“ herausgebildet hat, hat
*)
Die hier besprochenen Bücher sind folgendermaßen betitelt:
K. Bienenstei n, Der Einzige auf der weiten Welt (Brlg.
Benz, Stuttgart, geb. 2 X 50 3), Müller=Gutenbrunn,
Arme
Komödianten (Vrlg. Staackmann, Leipzig,
4):
G. Leutelt, Das zweite Gesicht (Brlg. S. Fischer, Berlin,
3 M 50 J.); Alb. v. Trentini Lobesamgasse 13 (4 +); Komtesse
Tralala
Wuter v. Molo, Der gezähmte Eros (4 K);
Wir Weibgesellen (4 ;X), diese vier bei Schuster & Löffler in Berlin;
P. Rosegger Die beiden Hänse (Vrlg. Staackmann, Leipzig,
.4); G. Biberich, Auf der Spirale (Brlg. S. Fischer, Berlin,
3 4 50 Z).
2