I, Erzählende Schriften 11, Frau Bertha Garlan. Roman, Seite 68

box 2/1
11. Frau Bertha Garlan

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(Queljsschygabo ehne Gewöhrl.
u er eegs
Gretadig
Koferesu
Fru Bertha Garlan.
Blandt ArthurSchnitzlers No¬
veller er der en eiikerSstaur sarlig
hejt baade ved Fremslillingens Kunst og
ved dens rent menneskelige indhold — det
er „Fru Bertha Garlan“, Den ester¬
rigske Digter viser sig i denne Bog'sohfen
Psykolog, der formaar al analysere Sjele¬
livels haarfine Rorelser. Man maerker i
hans Fremstilling baade Lagens apbe
Medfelelse med menneskelige Lidelser og
Romanforfatterens Interesse for de men¬
neskelige Lidenskabers Udslag.
Denne fangslende Bog er nu udkommen
paa Dansk som Led i „Martins
1
Standard-Udgave“ flydende over¬
sat af Hilda Buhl. Den er en virke¬
lig Berigelse af vor Overseettelseslitteratur.
Det er i dette Tilfalde ikke nogen Dusin¬
bog, som bydes det store Publikum, men
en Novelle, hvori det moderne Livs urolige
Pulsslag er opfangel af en Digter, som for¬
ener Psykologens skarpe Oje med Lagens
varme Hjerte.
3181
Sesturganzalarteu Deutschlands.)
O
rt:
Ostum:
The latest novel in English dress from the pen of Arthur
4 Schnitzler, author of Anatol, is" Bertha Garlan,
which is franslated from the German by j. H. Wisdom and
Marr Murray, and comes from the press of Max Goschen.
It is not only decidedly nasty in theme, but devitalising,
because it lays stress merely on the ignoble side of life and
morals. The sex-motif occupies the story with a want of
proportion that appears to us inartistic. We are deluged
with the erotic emotions of Bertha, who is left a widow with
one little boy after three years of wedded life with a man
she never loved, and with sinister hints of the underhand
intrigues of Anna Rupius, a beautiful woman whose husband
has become paralytic. Both women swathe themselves in
lies and deceit to satisfy their crotic cravings. And the men
of the story are for the most part of the most unpleasantly
sensual type. As a whole the book is suggestive and
exciting in a bad sense, so much so that we think even the
morbiely curious as regards the vagaries of sex will lay it
lown with a gasp of relief. Bertha voluntarily gives herself
to her üirst lover, and reaps therefrom not#ling but the deepest
personal humiliation. Anna had to die te cover up her
deceit and its consequences. The book cannot be called
immoral in the sense that it holds up evil to admiration,
but its atmosphere is aggressively carnal.